A tree is not just for Christmas

Photography

The street photographer’s guide to trees.

I think trees are too much ignored. We take a picture and happen to notice a tree (or trees). We should appreciate them more. For their beauty; for their shade; for their colour; for their age; for their mystery…

Trees can provide shelter and comfort. Shade and firewood. They can be mysterious and frightening in the dark. They can also fall on you. But I have always looked at trees as works of art – in their shape, their colours, their context. Doesn’t always work out that way but I am always looking.

Trees on their own may have beauty in shape, something that draws you into them, humanly appealing, aesthetic. That of course is a human judgement. I doubt if the trees care much.

Trees interact with their surroundings, whether involved by choice or by circumstance. So I like to find that interaction and tell the story of the tree in context.

Leica Q
The trees direct the eye to the rising sun, also framed by the grain silo.
Canon 5DIII EF100-400mm f/4.5-5.6L
Two sheep, one tree. Neither interesting without the other.
Leica Q
Trees mixing with a herd of cattle. Maybe the other way around.
Canon 5DIII EF16-35mm f/4L
Street photograph (in Nice) with trees! Or perhaps trees photograph with street.
Canon 5DIII EF16-35mm f/4L
Tree. Walking around Nice, looking down to the city. But it is the tree that seeks the attention with Nice in the background, as an afterthought.
Canon 5DIII EF16-35mm f/4L
Romanesque columns in conversation with trees.

The above examples are not gobsmacking awesome photos. They show (at least to me) that trees add value. If you remove the trees the pictures lose something, if not everything.

You can apply this little rule to many photos with trees in the frame – take away the trees and the picture loses. A bit like street photography – take away the people…

What follows is my continuing journey into trees. Not five-star photos but some samples illustrating my point that trees in and of themselves can be just as interesting as a bird on the wing. To me anyway…

Film c1970
Very early days for me, but one day at the Sheepwash near Barwon Heads this tree grabbed my attention. I have had it in mind ever since. Perhaps if the wisp of cloud wasn’t there I would not see it the same.
Film c1975
And more early days at a farm near Barham in NSW. I am still in love with this tree and how it draws the eye to the old tank and shed.
Pentax Optio 550
Spotted this in Japan, standing out against the darker trunks, swaying with the other in a tango.
Pentax Optio 550
Also in Japan, with storm clouds providing atmosphere to what seems to me to be a very Japanese pose.
Canon 5DIII EF70-200mm f/4L
Storm clouds sneaking up on a tree. Tree not fussed. Seen it all before. And then some!
Leica Q
Stairs with a view, Castle Hill, Townsville.
The tree in itself is, well, just a tree. The stairs lead towards and past the tree, giving an expectation of reward at the end of the climb. The stairs would be boring without the tree and the tree on its own would just be a tree. Together they complement each other.
Leica Q
Sunset, Castle Hill, Townsville.
A beautiful sunset over Townsville being enjoyed by three young people and a tree. Each supports the other, putting one and the other into the story.
Leica Q
The survivor. Under the road to Charters Towers.
The tree is leaning away from the bridge, accepting its greater presence but refusing to concede defeat.
Canon 5DIII EF100-400mm f/4.5-5.6L
Social climber.
Canon 5DIII EF16-35mm f/4L
On the road to Melton. Ploughed field respecting the trees. Shared beauty.
Canon 5DIII EF100-400mm f/4.5-5.6L
On the edge of the plantation.
Canon 5DIII EF100-400mm f/4.5-5.6L
Three in a row, sort of. No sheep or cows disturbing their space.
Canon 5DIII EF100-400mm f/4.5-5.6L
But this one has company.
Leica Q
Impressionist. An old eucalyptus making its mark on the new building.
Canon 5DIII EF100-400mm f/4.5-5.6L
Graceful old age.
Canon 5DIII EF100-400mm f/4.5-5.6L
Fallen but not forgotten.
Leica Q
Smoko, Sydney.
Leica Q
Young Pin Oak, old warehouse.
Leica Q
Point Lonsdale pier. Windy day, as usual.
Leica Q
Windswept, Point Lonsdale.
Panasonic Lumix
New Zealand 2009, around Lake Tekapo.
Panasonic Lumix
Christchurch NZ, Botanic Gardens 2009. Hopefully it survived the earthquake, because it has had a very long life, obviously.
Canon 7D EF-S17-55mm f/2.8
All Saints Winery, Corowa
Canon 5DIII EF16-35mm f/4L
Geneva
Photography
Travels with my Q – Outback road trip

Road trip to Townsville in June/July 2019. From Victoria through Broken Hill in outback New South Wales through Bourke, Longreach and Cloncurry to Mount Isa in outback Queensland, then across to Townsville. Back to Victoria partly down the coast then midland on and around the Newell Highway. 9,500 kilometres. Below …

Photography
Travels with my Q – Bali

Roaming with my Leica Q in Bali from Kuta to Ubud in April 2019. Never been before, never really been interested, mainly because of the apparent reputation of Kuta Beach and the bogan culture. So we spent a day in Kuta then went inland to see the (perhaps) real Bali. …

Photography
Travels with my Q – India in shades

Travel photography in India October 2018 with my Leica Q. Converted to mono using Silver Efex Pro 2 (through Photoshop with initial developing in DxO PhotoLab 2). Some cropping because it helps to tell the story. All shooting in RAW. I’ll let the pictures speak for themselves, but… IMHO the …